ChatterBank3 mins ago
does any 1 under stand the new cadburys ad?
does any 1 under stand the new cadburys ad?
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No best answer has yet been selected by yobanfa. Once a best answer has been selected, it will be shown here.
For more on marking an answer as the "Best Answer", please visit our FAQ.Here's my theory:
There's only so much you can do with chocolate adverts. You can say, "Mmm...they're tasty, the won't melt in your mouth, they low in calories, won't ruin your appetite etc etc"...but after a while, everything has been said...
...so why not make adverts that *talk* about the adverts (and by extension the product) itself.
Worked for Guinness and their mad adverts (surfing horses, chap dancing around, the cuban 'domino event').
There's only so much you can do with chocolate adverts. You can say, "Mmm...they're tasty, the won't melt in your mouth, they low in calories, won't ruin your appetite etc etc"...but after a while, everything has been said...
...so why not make adverts that *talk* about the adverts (and by extension the product) itself.
Worked for Guinness and their mad adverts (surfing horses, chap dancing around, the cuban 'domino event').
Cadbury's 'Gorilla' was very successful in increasing sales, probably because it had a number of visual and auditory structures that enabled it to engage with the viewer and had unconscious anchors to the product e.g. the purple background.
Indeed, so did classic Guinness ads such as 'Surfer' (hypnotic language in the voiceover, waiting for the beer to settle, black and white foam etc).
In particular, 'Gorilla' used a piece of music that everyone knew if they retained attention would reach a pleasurable 'climax' - go on - we've all done the air-drumming thing and a brilliant 'Pattern Interrupt'; the drummer is a Gorilla!
Sadly, the evidence of the subsequent Cadbury campaigns suggests that no one at the Agency or Client understand the structural elements that made 'Gorilla' so successful.
.
Indeed, so did classic Guinness ads such as 'Surfer' (hypnotic language in the voiceover, waiting for the beer to settle, black and white foam etc).
In particular, 'Gorilla' used a piece of music that everyone knew if they retained attention would reach a pleasurable 'climax' - go on - we've all done the air-drumming thing and a brilliant 'Pattern Interrupt'; the drummer is a Gorilla!
Sadly, the evidence of the subsequent Cadbury campaigns suggests that no one at the Agency or Client understand the structural elements that made 'Gorilla' so successful.
.
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