So Lets Shaft Our Farmers.....
News9 mins ago
No best answer has yet been selected by Emily Ball. Once a best answer has been selected, it will be shown here.
For more on marking an answer as the "Best Answer", please visit our FAQ.According to Aristotle, the tragic hero must fall through his or her own error, or hamartia. This term is also interpreted as "tragic flaw" and usually applied to overweening pride, or hubris, which causes fatal error.
Recent scholarship has suggested that the interpretation of hamartia as a fatal flaw is itself flawed, and that the word more properly means any disproportion in the character's makeup that leads to downfall; thus an excess of a valuable or virtuous quality can in some circumstances be seen as hamartia.
kempie, doesn't the term fatal flaw just mean that it's fatal to the character who has it? Tragic heroes do tend to die (comic heroes marry), so their 'flaws' become fatal ones. Hamlet's thoughtfulness marks him out as a renaissance intellectual; unfortunately he's caught up in a medieval revenge drama where being an intellectual is no use at all, he's just supposed to get out there and kill someone. However admirable thoughtfulness may be, Hamlet's is a flaw because it means he's not responding appropriately to his situation. [erm, you'll see I'm agreeing with you here; just that I think the traditional translation of hamartia is correct.]
jno - you are correct inasmuch as tragic heroes tend to die but there is always the exception that proves the rule (oh, how I hate that phrase).
The classic example of Aristotelian principles is Sophocles' Oedipus the King, where Oedipus merely mutilates himself on discovering his crimes (hardly fatal), whereas another play in this mould, such as Othello, follows a similar pattern of pride, error, and self-destruction culminating in his suicide.
Sorry, we can't find any related questions. Try using the search bar at the top of the page to search for some keywords, or choose a topic and submit your own question.