Seeing as we've had a couple of questions about Lloyd Webber and Cats, does anyone reckon that TS Eliot span like a turbine when ALW adapted his poems? Or did he just count the royalties on behalf of his heirs?
Dear old Thomas Stearns was fairly unhappy about publishing it in the first place as he thought it a bit of fluff for children. I suspect that after his nearest and dearest sold the rights to ALW you could have run the national grid off him.