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What is trompe l oeil

00:00 Wed 30th May 2001 |

A.� Trompe l'oeil translates from the French as 'tricking the eye'. Basically it is the art of decorating interiors with murals of landscapes and views, animals or even household items that look three-dimensional even though they are painted on a flat surface.

Q.� Where did it originate

A.� Trompe l'oeil is believed to date back to the Ancient Greeks. It is said that an early practitioner of the art, Zeuxis, painted a bunch of grapes that were so convincing birds tried to eat them. It became highly fashionable in 18th century Europe, particularly in France (thus it's name) and has enjoyed periods of favour ever since.

Q.� What sort of things do people paint, and where

A.� You can paint whatever takes your fancy, but there are certain classical themes. Climbing plants like vines or roses are often painted around borders and fireplaces, dark windowless corridors are transformed with sunny views of cornfields seen from beyond a garden where it is perpetually summer. City conservatories often look out onto classic Capability Brown-style English parkland rather than next door's garden wall, great Roman style terracotta urns and peacocks are often to be found in the bathroom, and so on.

Q.� But presumably you have to be an artist to do this

A.� There are a growing number of mural artists who specialise in offering trompe l'oeil in people's homes, with charges ranging from 500-3,000 pounds depending on the experience of the artist and the size and complexity of the design.

If you find the idea of paying so much for something you can't take with you if you move then there is now a new type of canvas available that can be painted on and then peeled off the wall if you need to take it with you.

Should you fancy yourself as a bit of an artist and want to have a go yourself there are plenty of places, such as the Stencil Library, that offer a huge range of designs, from pillars to individual flowers, that you simply paint on yourself.

Novices are advised to plot out their designs on lining paper and position them on the wall with tape, moving them around until you find the right combination, before even thinking about dipping your brush in the paint.


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By Tom Gard

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