The Bloke On Who Wants To Be A...
Film, Media & TV5 mins ago
No best answer has yet been selected by mycatis. Once a best answer has been selected, it will be shown here.
For more on marking an answer as the "Best Answer", please visit our FAQ.It's fine, but i warn you now, it's a very competative market, and very hard to break into.
The problem is, you need to have some experience to show published samples of your work, and to get some experience you need .... published samples! So that 'Catch 22' is hard to break to start with.
What you need to be able to offer - and this applies to any magazine - is something they want, that they can't get anywhere else. So, if you have, say, an interview with Robbie Williams, they'd bite your hand off! the other side of that coin is, if you want to offer your grannie's recipe for fruit scones, they won;t even bother to reply.
Sorry to sound so negative, but as a freelance of 26 years experience, with over thirty magazines using my material over that time, i still have to work with that system, so it is hard - but good luck, give it a go.
You need persistance that makes Sysyphus look like an amaeteur, and a skin as thick as ten rhinos, and be used to the word "No" .... but it can be done .... honest!
Thanks to Clanad for additional info on this from the US perspective. A good idea is to take a trip to your reference library and check out the Willings Press Guide - there are two volumes, UK and International. If you wade through them, you'll find listed the sort of publication - if it accepts freelance work, and payment rates. As Clanad says, specilaist writing is a good nice market to get into - of course my interest is music, which is just about the most over-subscribed market going! That said, I have a wide range, and I can write for any number of genres, which increases my chances.
As you suggested - be guided by length, and 'in house' style. Double-space your copy and check rigourously for grammar and spelling - if ytou don;t spot it, their subs will, and you won't get invited back. My very first punt at a music paper was Sounds back in the early 80's, and i got told straight that they wold not employ someone who couldn't spell! I was mortified, but I've never forgotten it!
if you want to be commissioned and paid as a profesional, you have to write, and look like one. Don't be afraid to blow your own trumpet, brag by all means, but make sure you can back it up! I told a new mag I knew Boy George, and could get the interview they couldn't secure ... they called my b luff, which was fine, I do know him, and i got the interview, so be aware of that pitfall.
Best of luck - let me know what happens ...
A.