News1 min ago
Let's see 'The black and white minstrels' and Love Thy Neighbour' again.
31 Answers
Let people see these shows and others from the seventies and let them make their own mind up instead of all this censorship.
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Strangely when Johnny Speight wrote "Till Death do us part" he was trying to show up Alf Garnett for the racist bigot that he was (Johnny Speight was a Labour supporter and hated racism and bigotry).
He made Alf Garnett as awful and nasty as he could, so people would hate him.
But the reverse happend and he became a sort of "folk hero".
I can remember when there was strike in the 1970s one of the placards said "Alf Garnett was right" (about immigration).
So the show was not "racist" as such, it was "using" racism and bigotry to highlight how awful racism can be (if you know what I mean).
Strangely when Johnny Speight wrote "Till Death do us part" he was trying to show up Alf Garnett for the racist bigot that he was (Johnny Speight was a Labour supporter and hated racism and bigotry).
He made Alf Garnett as awful and nasty as he could, so people would hate him.
But the reverse happend and he became a sort of "folk hero".
I can remember when there was strike in the 1970s one of the placards said "Alf Garnett was right" (about immigration).
So the show was not "racist" as such, it was "using" racism and bigotry to highlight how awful racism can be (if you know what I mean).
You are perfectly entitled to view him as such, everhelpful.
There is no doubt that he contributed a great deal to the fight against anti-black discrimination on Broadway and that the 'black-face' convention was a Victorian construct.
However, the leap to the B&W minstrel shows broadcast in the 1970's has no such 'authority' behind it.
There is no doubt that he contributed a great deal to the fight against anti-black discrimination on Broadway and that the 'black-face' convention was a Victorian construct.
However, the leap to the B&W minstrel shows broadcast in the 1970's has no such 'authority' behind it.
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