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There Seems To Be A Bit Of A Nostalgic Theme Developing This Morning. Did Anyone Else Think Steptoe And Son Was The Blackest Of Black Comedies?
51 Answers
I wouldn't have been surprised if the son had done-in his old dad and then hung himself with the reins of their horse in a final episode.
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I should also say it WAS brilliant writing (and acting). I remember the one where two prisoners (one Leonard Rossiter) escape from prison and break into the Steptoe house. There is the younger prisoner (Rossiter) an and older prisoner, and they are mirror images of the two Steptoes. The younger prisoner says the older prisoner is holding him back, the older...
11:22 Tue 18th Aug 2015
I adored Steptoe, although I never understood (I was too young) at the time just how wonderfully written and acted it was.
The essence of the set-up is the same in all great comedies - the protagonist(s) is trapped, seriously trapped, and they know it.
This applies to all the great comic characters, both Steptoes, Meldrew, Hancock, Perrin, Fawlty, Brent - I am sure there are many more.
But as far as the Steptoes go - Wilfred Bramble's facial expressions were Brechtian in their emotional range and impact.
I also recall watching one episode, and realising after that the entire thing had been shot with one camera, no edits.
I had just watched a classic theatrical 'two hander' in the guise of a sit-com - and just how wonderful it was.
Blacker than black - and a level of quality that is sadly missed.
The essence of the set-up is the same in all great comedies - the protagonist(s) is trapped, seriously trapped, and they know it.
This applies to all the great comic characters, both Steptoes, Meldrew, Hancock, Perrin, Fawlty, Brent - I am sure there are many more.
But as far as the Steptoes go - Wilfred Bramble's facial expressions were Brechtian in their emotional range and impact.
I also recall watching one episode, and realising after that the entire thing had been shot with one camera, no edits.
I had just watched a classic theatrical 'two hander' in the guise of a sit-com - and just how wonderful it was.
Blacker than black - and a level of quality that is sadly missed.
It seems that he was, Elina.
http:// www.the guardia n.com/m edia/20 02/aug/ 19/broa dcastin g.arts
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-- answer removed --
Dunno why, Elina ;-)
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I am not sure they hated each other, what they hated was being stuck in the two characters and not being able to shake them off.
Certainly at first I am sure they got on fine, but after years together (like some marriages or in a long running pop group) you start to hate the other person/people.
Harry H Corbett was a fine actor before Steptoe, appearing in many "serious" stage plays and being seen as a fine up and coming actor.
He was attracted to the Steptoe TV part because he writing was "real" and "gritty".
However they show was SO successful, and they were both so good in it, they got trapped in it.
Corbett tried to take other roles (Carry On Screaming) but few others would give him parts. He was even turned down for later Carry On films and kept having to go back to Steptoe.
So the more he tried to get away from Steptoe the more he was dragged back in. Terrible example of type casting.
Certainly at first I am sure they got on fine, but after years together (like some marriages or in a long running pop group) you start to hate the other person/people.
Harry H Corbett was a fine actor before Steptoe, appearing in many "serious" stage plays and being seen as a fine up and coming actor.
He was attracted to the Steptoe TV part because he writing was "real" and "gritty".
However they show was SO successful, and they were both so good in it, they got trapped in it.
Corbett tried to take other roles (Carry On Screaming) but few others would give him parts. He was even turned down for later Carry On films and kept having to go back to Steptoe.
So the more he tried to get away from Steptoe the more he was dragged back in. Terrible example of type casting.
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