It's for these reasons that I avoid all awards shows like the plague.
The difficulties with this type of show - as cruelly evidenced by the Fleetwood/Fox debacle, is that there are masses of convoluted strands theoretically being brought together into a seamless whole.
The difficulties occur when you are working with often overly-refreshed musicians - always a disaster potential - and presenters who may not be up to the task of sudden instant changes being advised to them.
The skill of talking smoothly to a camera while a floor manager is shrieking into your ear piece advising that the next link has gone belly-up and you need to 'fill' for thirty seconds is a specific one, not granted to all who work in the media.
This can account for sudden glassy-eyed stares and gabbled gibberish which often punctuates this kind of show.
They really are best avoided. The notion of an 'award' is arbitrary at best, and the most sensible thing for recipients to do is to maintain dignity from a distance by not turning up, and sending a message - as Adele did.