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Rachmaninoff Prelude In C Sharp Minor
I've just heard this piece on the radio, probably his most well known. It's always given me the creeps because as I child my mother told me it represented someone buried alive who was banging on the coffin to get out. Anyone else heard this vintage urban myth or any evidence to suggest that was the meaning behind it?
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For more on marking an answer as the "Best Answer", please visit our FAQ.Urban myth in the sense of someone else coming up with the story, probably in the States as it was a popular piece there.
Rachmaninov actually didn't like the piece that much. Though it's thought that he probably had a story in his mind for such preludes, as many musicians do, he didn't exactly share his thought.
Anyway, the story develops as follows: the start - the opening chords are church bells with the slow, largo procession of a funeral march to the cemetery.
The casket is interred. The fast presto movement is then the desperate scratching of the person in the casket trying to get out.
The next moderato movement is the recession of the mourners heading back off to a wake or going their separate ways. The final chords are the church bells again. Next one in?
Rachmaninov actually didn't like the piece that much. Though it's thought that he probably had a story in his mind for such preludes, as many musicians do, he didn't exactly share his thought.
Anyway, the story develops as follows: the start - the opening chords are church bells with the slow, largo procession of a funeral march to the cemetery.
The casket is interred. The fast presto movement is then the desperate scratching of the person in the casket trying to get out.
The next moderato movement is the recession of the mourners heading back off to a wake or going their separate ways. The final chords are the church bells again. Next one in?
I live in a town steeped in history and it's our history draws in tourism, when we were children were taken on a walkabout by our teacher and the guide at one of the churchyards told us about the graves with the railings around them, apparently a string was tied to the little finger of the corpse and connected to a bell on the railing, if the 'corpse was alove, they'd move the little finger and trigger the bell, those working on the 'graveyard shift' might hear the bell go off and dig up a person buried alive or body snatchers could come upon a new grave and find the person died scratching the lid of the coffin, there wouldn't be a nail left on their fingers - wasn't my Mum told me that :)
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