Travel1 min ago
Why Is Old Music Superior To Modern Music?
I’m 23 years old but I think that old music from the 80s/90s is just superior to modern music. I listen to 90s west coast rap and it just sounds way better than modern rap, in terms of the way they rap and especially the instrumentals. Also, 80s pop music sounds euphoric to me, whereas pop music from 2010 onwards is just horrible to me. Why do you think this is the case?
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For more on marking an answer as the "Best Answer", please visit our FAQ.1ozzy - // Some people credit Deborah Harry and the group Blondie being the first rappers way back in 1980. //
Blondie were miles away from being the first rappers.
However, they were the first mainstream white pop band to include a rap on what would become a huge hit single, thus introducing the medium of rap to a white audience who would never have found its home in black underground urban music.
Blondie were miles away from being the first rappers.
However, they were the first mainstream white pop band to include a rap on what would become a huge hit single, thus introducing the medium of rap to a white audience who would never have found its home in black underground urban music.
Hopkirk - // It's a fact of life that as you get older, the music that 'the young' listen to just sounds like noise.
We are all turning into our fathers. //
I am happy to be the exception that rule, because I have a professional interest in music, rather than simply as a casual listener.
As I have said previously the composition and production of music has changed out of all recognition, as it always must do, and I think the approach is to accept what is clearly not aimed at people of, ahem, a certain age, and ignore it, but keep an ear out for the good stuff that is always out there.
The Internet simply makes finding it so much harder because there is so much more stuff to sift through, but panning for gold is always worth finding a nugget in all the dross.
We are all turning into our fathers. //
I am happy to be the exception that rule, because I have a professional interest in music, rather than simply as a casual listener.
As I have said previously the composition and production of music has changed out of all recognition, as it always must do, and I think the approach is to accept what is clearly not aimed at people of, ahem, a certain age, and ignore it, but keep an ear out for the good stuff that is always out there.
The Internet simply makes finding it so much harder because there is so much more stuff to sift through, but panning for gold is always worth finding a nugget in all the dross.
AH, you have what you say is a ‘professional’ interest in music and yet you have confessed to being disinterested in current offerings. Furthermore, an interest of any description in music doesn’t render an opinion or judgement any more valid than the next man’s. I think some of your choices are abysmal - but then as Danny quite rightly says, one man’s meat ….
Naomi, I have never dreamed of suggesting that my opinion is any more, or indeed less valid than anyone else's.
One of the great pleasures of music is that everyone can have an opinion, and then agree or disagree with everyone else's.
I don't think my opinion is more or less valid than anyone else's, I just happen to be in the fortunate position of being able to share my opinions with a worldwide readership, and to be paid for the privilege.
One of the great pleasures of music is that everyone can have an opinion, and then agree or disagree with everyone else's.
I don't think my opinion is more or less valid than anyone else's, I just happen to be in the fortunate position of being able to share my opinions with a worldwide readership, and to be paid for the privilege.
naomi - // Indeed. The internet is a wonderful thing. //
It is, but it's a two-edged sword.
In the same way that technology has given everyone a camera in their phone, that just means everyone can take pictures, it does not mean they are photographers.
Similarly, it gives everyone a chance to send in interviews and reviews, but it does not make them writers.
It does mean that some lazy or tight-fisted editors will take sub-standard free copy from fans, at the expense of professional writers, but happily there are ebough of them who still value a professionally done job to a requisite standard, and are willing to pay an appropriate fee in order to get that service regularly, rather than relying on the notoriously inefficient and inefficient amateurs who soon find out that going to gigs and getting free albums is great, but writing properly to a house style and getting copy in to a deadline is actually harder than they thought.
It is, but it's a two-edged sword.
In the same way that technology has given everyone a camera in their phone, that just means everyone can take pictures, it does not mean they are photographers.
Similarly, it gives everyone a chance to send in interviews and reviews, but it does not make them writers.
It does mean that some lazy or tight-fisted editors will take sub-standard free copy from fans, at the expense of professional writers, but happily there are ebough of them who still value a professionally done job to a requisite standard, and are willing to pay an appropriate fee in order to get that service regularly, rather than relying on the notoriously inefficient and inefficient amateurs who soon find out that going to gigs and getting free albums is great, but writing properly to a house style and getting copy in to a deadline is actually harder than they thought.
naomi - // AH, you have what you say is a ‘professional’ interest in music and yet you have confessed to being disinterested in current offerings. //
As Atheist observes, I am uninterested in a lot, but by no means all, of modern pop output - principally because it's not covered by the magazines and websites that I write for.
Should that situation change, I can soon develop an interest - being a professional means writing about artists and bands that generate interest, and that tends to mean those with a career, rather than a one-off single hit song.
Of course, being a professional, I am more than capable of writing about something I don't actually like personally, and do so on many occasions.
As Atheist observes, I am uninterested in a lot, but by no means all, of modern pop output - principally because it's not covered by the magazines and websites that I write for.
Should that situation change, I can soon develop an interest - being a professional means writing about artists and bands that generate interest, and that tends to mean those with a career, rather than a one-off single hit song.
Of course, being a professional, I am more than capable of writing about something I don't actually like personally, and do so on many occasions.
Give me the 50s/60s music anytime. Romantic ballads ,rock and roll, ballroom dancing. Saturday nights at the local dance hall where a lot of us met our future partners. Dancing cheek to cheek in a close embrace.
Nothing quite like it today. It's all screeching and wailing as to who can shout the loudest.
Nothing quite like it today. It's all screeching and wailing as to who can shout the loudest.
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