Quizzes & Puzzles0 min ago
Listener No 4237 Restitution By Schadenfreude
54 Answers
Very well crafted grid with some devilish elements. Clues not too difficult but quite a lot of cold solving required before one can start hazarding any sort of gridfill. Much enjoyed the PDM after which relatively quick progress to the end. This type of cipher device seems to be becoming a bit of a trademark for SF. Many thanks for the work-out. Back to the golf!
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For more on marking an answer as the "Best Answer", please visit our FAQ.Making decent headway with the clues but we note warnings that much cold solving still required as a preliminary. Looks intriguing.
Meanwhile learned from The Observer today that we are a £25 book token to the good, thanks to winning Azed. We can add this to our modest portfolio of wins with Azed, the Listener and the Times, but yet to win an Araucaria.
Meanwhile learned from The Observer today that we are a £25 book token to the good, thanks to winning Azed. We can add this to our modest portfolio of wins with Azed, the Listener and the Times, but yet to win an Araucaria.
The real beauty of this puzzle lies in the superb grid construction: a complete thematic set incorporated with elegant symmetry, proper words throughout, everything just the right length. Good clues added the icing. I had only one minor reservation, which was that I would have expected the encoded instruction to have resulted in more extensive work than it did.
The theme emerges clearly if you write the correct letters beside the rows and under the columns, when only one letter appears to be out of place (but isn't, of course). It wouldn't have been too difficult to rectify that.
I knew the theme from having seen my daughter perform in a production of Stephen Sondheim's relevant work at the Edinburgh Festival a few years ago. It's not often performed, but worth catching when it comes round.
The theme emerges clearly if you write the correct letters beside the rows and under the columns, when only one letter appears to be out of place (but isn't, of course). It wouldn't have been too difficult to rectify that.
I knew the theme from having seen my daughter perform in a production of Stephen Sondheim's relevant work at the Edinburgh Festival a few years ago. It's not often performed, but worth catching when it comes round.
I have managed to get this finished finally and agree that it was an amazing construction and very enjoyable. I filled the grid quickly after cold-solving all the clues and re-reading the rubric. I came to the code via the answers to the blank entries rather than the way it was intended I suspect. I found it quite difficult to work out the coded instruction as my printer is rather low on ink, so the letters were not as clear as they might be!
Contendo I think you need to re read the preamble a bit more carefully. If you are still stuck feel free to drop me an email ([email protected]).