Yes I like so much of his work and whenever I hear it, it brings back good memories. I remember the Sax break of Baker Street was used on Grandstand to introduce the rallying back in the late 70s, and I'd hear that while watching Opel Mantas and Vauxhall Chevettes jumping through the Welsh forests.
And Night Owl was just something else. Ideal to chill to.
Got a silly (but rather amazing in a way) memory of him. When I got a decent camera which also took video, I rigged it up in my car one day to record my journey from home to work. As I started the car, Baker Street began to play, played throughout the journey, and ended just as I parked up at work. I couldn't have planned it to happen, it just did.
I was on a school trip and the coach was going down Baker St when the song came on the radio. It was a lovely summers evening just as the sun was going down.
That would be Raphael Ravenscroft. He was given a cheque for £27 for the recording session, which subsequently bounced. He has received nothing from the song. Such is the lot of the session musician...
Baker Street though a great song is so overplayed it gets tiresome. Check out Right Down The Line ( Turntable Hit ) Royal Mile ( UK hit no 67 ) Can I Have My Money Back ( Turntable Hit ) or even the fabulous comeback track in the 90s Don't Speak Of My Heart. Each and everyone equally as good as the ubiquitous Baker Street. What a guy!
I couldn't agree more! It's irritating when the vast majority of people are familar with only one song from a great artist's work, cf Sparks, Procol Harum et al...
Unless you are Clare Torry. She was employed as a session singer to sing part of "Great Gig in the Sky" on Dark Side of the Moon by Pink Floyd.
She has since sued them to be co-author of the song, and won, though how much she has made out of it is not disclosed. The song is now creditied to Wright/Torry.