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Guitar Signiture...
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What is it that gives a great musician the distinctive and unique sound ?.
Is it the quality of the instrument, the talent of the player, the way its tuned or something more ?
Is it the quality of the instrument, the talent of the player, the way its tuned or something more ?
Answers
For an electric guitar, it involves just about everything. The guitar player in my band has a Fender Stratocaster , but has even changed the pickups to get his preferred sound. How they're wired is what matters (in the coils.) He also uses a custom made American Carr amplifier with the obligatory glass tubular valves instead of solid state (transistor)...
18:42 Sun 15th Feb 2015
For an electric guitar, it involves just about everything. The guitar player in my band has a Fender Stratocaster, but has even changed the pickups to get his preferred sound. How they're wired is what matters (in the coils.)
He also uses a custom made American Carr amplifier with the obligatory glass tubular valves instead of solid state (transistor) circuitry.
Another factor is whether the guitar has active or passive wiring. (Active needs a battery to power the circuitry.)
Then there are the strings....... wirewound, flatwound, or a combination of both. Also, hollow or solid body for the guitar itself.
Acoustics can be large, Country style (Gibson Jumbo, Martin, Takamine etc etc), or classical Spanish types.......... steel or nylon strings etc.
Then you have the player himself... and everyone has their own style.
I've seen Pro, Jazz players pick up a cheap student model and get a terrific sound from it. Something a student couldn't get anywhere near.
It's a case of taking all these parameters and combining them. Literally thousands of combinations.
With Rock guitarists, the preference is usually for "old-fashioned" valve amps such as Marshalls.
He also uses a custom made American Carr amplifier with the obligatory glass tubular valves instead of solid state (transistor) circuitry.
Another factor is whether the guitar has active or passive wiring. (Active needs a battery to power the circuitry.)
Then there are the strings....... wirewound, flatwound, or a combination of both. Also, hollow or solid body for the guitar itself.
Acoustics can be large, Country style (Gibson Jumbo, Martin, Takamine etc etc), or classical Spanish types.......... steel or nylon strings etc.
Then you have the player himself... and everyone has their own style.
I've seen Pro, Jazz players pick up a cheap student model and get a terrific sound from it. Something a student couldn't get anywhere near.
It's a case of taking all these parameters and combining them. Literally thousands of combinations.
With Rock guitarists, the preference is usually for "old-fashioned" valve amps such as Marshalls.
As a follower of Black Sabbath in my youth - and far, far beyond - i remember reading that guitarist Tony Iomi's distinct sound came as a result of losing 2 finger-tips in a works accident. Having made thimbles from melted down plastic bottle necks, he found that he had to loosen the strings in order to bend them. This created Sabbath's unique 'heavy' sound.
I believe Iomi replaced his guitar strings with banjo strings for a while because they were easier to manipulate with his plastic finger 'extensions'. Just think, if it weren't for that accident, Sabbath would probably have been just another 'run of the mill' band and Ozzy would still have been barefoot:-)
Thanks guys, I thought there must be a whole bunch of other reasons. beyond what I understood.
Then Theirs Sea Sick Steve who gets some amazing sounds from 3 strings, an old hub cap and a piece of scrap wood.
Not to forget Ray Davis who apparently slashed his amps with a Stanley knife to achieve the sound he was after.
Then Theirs Sea Sick Steve who gets some amazing sounds from 3 strings, an old hub cap and a piece of scrap wood.
Not to forget Ray Davis who apparently slashed his amps with a Stanley knife to achieve the sound he was after.
Interestingly, there's some debate about Seasick Steve's setup. He lives down here in Devon now, and is a friend of local guitar maker/repairer Hugh Manson, who makes guitars for Jimmy Page, amongst others.
I have a feeling that S/Steve's sound may well be more "calculated" than previously thought.
No matter though. It still works :o)
I have a feeling that S/Steve's sound may well be more "calculated" than previously thought.
No matter though. It still works :o)
there's some familial dispute over which Davies slashed what
http:// ultimat eclassi crock.c om/kink s-you-r eally-g ot-me-g uitar/
http://
Ha........ never give up completely, Zacs :o)
Yes, I'd forgotten about all the pedals today. Ken mentioned Jimi Hendrix. I think that all he had was a Wah-Wah back then.
A friend once told me another story about Brian May. He was in the audience and Brian asked the crowd if anyone could lend him a sixpence, as he didn't have one on him.
The chap coughed up, but, after the gig, Brian forgot to return it! He's now proud of the fact that Brian May owes him money :o)
Yes, I'd forgotten about all the pedals today. Ken mentioned Jimi Hendrix. I think that all he had was a Wah-Wah back then.
A friend once told me another story about Brian May. He was in the audience and Brian asked the crowd if anyone could lend him a sixpence, as he didn't have one on him.
The chap coughed up, but, after the gig, Brian forgot to return it! He's now proud of the fact that Brian May owes him money :o)
TB. Hendrix, like SSSteve, had a few bits of help:
http:// www.gui tarworl d.com/i ntervie w-roger -mayer- secrets -jimi-h endrixs -guitar -setup
http://
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